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Margaret Huddy Technical Questions I became a plein air landscape painter because I was a military wife and had 4 children in rapid succession. With every child our quarters got smaller. We were stationed in some wonderfully scenic places in Hawaii, Monterey, Calif. and Guantanamo Bay, Cuba. The open fields became my studio as well as my escape from the children. (There were no cell phones in those days!) I would take the children to the nursery on base and spend the day painting with friends. I started out working in oils but this became a real problem because I had no safe place to keep them while they dried away from little fingers. When I turned to watercolor my life became much saner. I also joined plein air watercolor groups or created my own which I had to do in Cuba. I paint outdoors because it's fun just like some folks go fishing! The "Artistic Process"I'm a morning person, up with the sun and raring to go. I feel creative all the time. I find something to inspire me in every season. "Working Environment"I have maintained a studio in the Torpedo Factory Art Center for 25 years. I think a woman has to work outside the home environment so she isn't called upon to run errands or washing machines! It makes people realize that I am a professional. My work space is very cramped but the gallery side is lovely, shows the finished work very beautifully. When I am working in the studio I have to have classical music. Because I work in a public art center with common ceilings I have always worn a headset with a tape cassette. Now, I'm thoroughly 21st century and listen to my ipod! When I'm in the field I love the sounds that surround me (unless they are mowing or blowing leaves nearby. In the quiet I can hear the sound of my brush on the paper. "The Artistic Life"I was once accused of being a horse thief. I drove down a narrow road in Middleburg on gorgeous fall day with one of my students. We saw the perfect view just waiting to jump onto the paper, barn, pond, horses and fall colors. There was no room to park my giant Dodge Ram Van on the road. Someone drove out of the estate in a white pickup truck. I asked if it would be okay to just stop inside the gate and paint. They said "Sure". I proceeded to do so. First I got out my camera with my long lens to photograph the horses which would move and I could put in later from my photos. Within a few minutes they were taken into the barn and a man drove down the road from the house demanding to know what I was doing on his property. My student kept assuring him I was a very "famous artist"! He said he saw me with my camera and my big van and thought I was casing the joint to steal his horses! I had ruined his perfect day and felt compelled to put his horses away. He did allow us to stay but drove by and checked on us every few minutes. I'm sure he had my license number and was ready to call the police if anything happened to his horses. I feel I have a role not only in recording the landscape before it is developed but also tho show people the beauty that still surrounds and soclaces us. (Remeber the barns that used to proliferate in Fairfax County?) "Personal Art History"I first became an artist when I was 12 years old and a friend showed me her box of 48 nupastel colors, vine charcoal and charcoal paper. She was going to art school on Saturday mornings at the Philadelphia Museum school of art. In that eureka moment I knew I had to join her. I've never stopped painting since. The only artist anyone ever heard of in my family was a great great uncle in Ireland. I was given his watercolor box which my Irish cousins had saved for a century. I went to the Moore College of Art in Philadelphia. I think an art school education is paramount in developing as a professional artist |
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